The Last Great American Picture Show brings together essays by scholars and writers who chart the changing evaluations of the American cinema of the 1970s, sometimes referred to as the decade of the lost generation, but now more and more recognized as the first New Hollywood, without which the cinema of Francis Coppola, Steven Spielberg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into existence.
Contents
Part One Introductions
The Impure Cinema: New Hollywood 1967–1976
Alexander Horwath
"The Last Good Time We Ever Had": Remembering the New Hollywood Cinema
Noel King
Part Two Histories
The Decade When Movies Mattered
David Thomson
A Walking Contradiction (Partly Truth and Partly Fiction)
Alexander Horwath
The Exploitation Generation. or: How Marginal Movies Came in from the Cold
Maitland McDonagh
New Hollywood and the Sixties Melting Pot
Jonathan Rosenbaum
Part Three People and Places
Dinosaurs in the Age of the Cinemobile
Richard T. Jameson
"The Cylinders Were Whispering My Name": The Films of
Monte Hellman
Kent Jones
Nashville contra Jaws, or “The Imagination of Disaster”
Revisited
J. Hoberman
For Wanda
Bérénice Reynaud
Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock
Howard Hampton
Auteurism and War-teurism: Terrence Malick’s War Movie
Dana Polan
Part Four Critical Debates