Fassbinder’s Germany: History, Identity, Subject

Thomas Elsaesser

1996
Amsterdam University Press, 396pp

Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities.

Contents

1. Fassbinder Representing Germany

Thomas Elsaesser 

2. From Vicious Circles to Double Binds: Impossible Demands in the Field of Vision

Thomas Elsaesser 

3. Murder, Merger, Suicide The Politics of Despair

Thomas Elsaesser 

4. The BRD Trilogy, Or: History, the Love Story? The Marriage of Maria Braun, Lola and Veronika Voss

Thomas Elsaesser 

5. Fassbinder, Reflections of Fascism and the European Cinema

Thomas Elsaesser 

6. …Wie Einst? Lili Marleen

Thomas Elsaesser 

7. Frankfurt, Germans and Jews: The City, Garbage and Death

Thomas Elsaesser 

8. Beyond ‘Schuld’ and ‘Schulden’: In a Year of Thirteen Moons

Thomas Elsaesser 

9. Franz Biberkopf’s/Ex-changes: Berlin Alexanderplatz

Thomas Elsaesser 

10. Historicising the Subject a Body of Work

Thomas Elsaesser 

Appendix One: A Commented Filmography: The House That Rainer Built

Thomas Elsaesser 

Appendix Two: Fassbinder's Germany 1945–1982: A Chronology

Thomas Elsaesser 

Appendix Three: Bibliography

Thomas Elsaesser