The simultaneous international success in the 1970s of such film-makers as Fassbinder, Herzog and Wenders led critics to talk of a 'New German Cinema'. Thomas Elsaesser's book is the most comprehensive and illuminating study yet produced of this major movement in world cinema.
Contents
1. Film Industry - Film Subsidy
2. The Old, the Young and the New: Commerce, Art Cinema and Autorenfilm?
3. The Author in the Film: Self-expression as Self-representation
4. In Search of the Spectator 1: From Oberhausen to Genre Films?
5. In Search of the Spectator 2: Cinema of Experience
6. In Search of the Spectator 3: Minority Views
7. The New German Cinema's Germany
8. Returning Home to History
9. National or International Cinema?
10. Conclusion