Archive

This collection hosts published and unpublished materials by Thomas Elsaesser from the 1960s through 2021. It spans a wide range of formats including articles, book chapters, conference papers, interviews, lectures, notes, correspondence, and more. The collection and the number of references will continue to grow as materials are catalogued and made available to public.

The Loop of Belatedness: Cinema After Film in the Contemporary Art Gallery

from Senses of Cinema 86

Digitális film és filmelmélet: A testi digitalis *

Thomas Elsaesser and Malte Hagener

from Metropolis 1

2017

Simulation and the Labour of Invisibility: Harun Farocki’s Life Manuals

Cent mille hasards qu’après coup on appelle destin 1

2015

The Ethics of Appropriation: Found Footage between Archive and Internet

from Found Footage Magazine Issue 1 Special on Bill Morrison + Other contents

Kontingentnos in nakljucnost kot rusevini casa: besedilo, podoba in gibanje v Saturnovih prstanih W. G. Sebalda

from Primerjalna književnost Vol. 37 No. 2 (2014)

Pushing the contradictions of the digital: ‘virtual reality’ and ‘interactive narrative’ as oxymorons between narrative and gaming

Los actos tienen consecuencias. Lógicas del mind-game film en la trilogía de Los Ángeles de David Lynch *

01.2013

ImpersoNations: National Cinema, Historical Imaginaries and New Cinema Europe

from Mise au point 5

Maratończyk: Alexander Kluge – zawzięty strateg i erudyta niemieckiego kina

The ‘Return’ of 3-D: On Some of the Logics and Genealogies of the Image in the Twenty-First Century

from Critical Inquiry 39, no. 2

« ImpersoNations » : cinéma national, imaginaires historiques et nouveau cinéma européen

from Mise au point 5

La cinefilia ai tempi di Facebook

European Cinema and the Post-heroic Narrative: Claire Denis and Beau Travail

from New Literary History 43, no. 4

World Cinema: Realismus, Evidenz, Präsenz

from Soziale Systeme 18, no. 1/2

James Cameron’s Avatar: access for all

from New Review of Film and Television Studies 9, no. 3

La Pelicula de Estratagema

Reexaminando el cine de atracciones: cambios epistémicos, realineamientos diegéticos y el retorno de Rube en los medios digitales

Thomas Elsaesser, Translation: Cynthia Tompkins

from Imagofagia 3

What is Left oft he Cinematic Apparatus, or Why We Should Retain (and Return) To It

from Recherches sémiotiques 31, no. 1-3

Arresting the Moving Image [Review of: Eivind Røssaak, Negotiating Immobility (2008)].

from Norsk medietidsskrift 16, no. 1

Between Erlebnis and Erfahrung: Cinema Experience with Benjamin

from Paragraph 32, no. 3

Ein halbes Jahrhundert im Zeichen Bazins a

from Montage AV 18/1

2009

Freud as Media Theorist: mystic writing pads and the matter of memory

from Screen 50, no. 1

Ingmar Bergman in the museum? Thresholds, limits, conditions of possibility

from Journal of Aesthetics and Culture 1

Sauts temporels et dé-placements: Le souvenir du travail dans les machines de vision de Harun Farocki

from Intermédialités 11